![]() Standalone sequels “Predators” and “The Predator” would hit theaters in 20, respectively. Though the Predator species hasn’t fared quite as well at the movies as Ridley Scott’s Xenomorphs (“Alien” movies not only do better at the box office, but are considerably better liked by critics), the collaboration inspired by Dark Horse’s “Predator” comic books cemented its place as a major sci-fi franchise. That cheeky cat-and-mouse dynamic would continue throughout all six of the “Predator” films to follow, permanently fusing the high-octane legacy of the action-packed ’80s with timeless alien invasion horror equally as badass.ĭirector John McTiernan and Schwarzenegger would pass their respective plasma torches to director Stephen Hopkins and “Lethal Weapon” star Danny Glover in 1990 for “Predator 2”: an underwhelming sequel that would eventually spur the famous “Alien” crossovers. But when strangely skinned corpses and mysterious shimmers in the trees reveal a hulking alien hunting humans for sport, the reluctant fighter is forced to embrace guerrilla warfare - and a brutal personal philosophy - to survive.Įquipped with intergalactic firepower, a sci-fi cloaking device, voice-changing technology, and a ruthless attitude, the Predator poses a fantastic threat to Schwarzenegger’s formidable protagonist, whose most effective weapons turned out to be his cunning and knack for improv. ![]() ![]() So, naturally, he begins operating by earthbound rules. Sent into the perilous jungles of Val Verde, a fictional location first seen in the Schwarzenegger-starring “Commando” (and again in the Bruce Willis-anchored “Die Hard 2”), Dutch assumes he’s on an earthbound mission. The realities they uncover are startling and the parents of every internet connected child need to watch this show.Arnold Schwarzenegger kicks off his legendary performance as Dutch, the alien-fighting star of the first and best “Predator” movie, with a warning: “We’re a rescue team, not assassins.” It’s a fitting starting block for the 1987 action classic-turned-seven-film sci-fi series, though you might not know it at first. Their mission to expose the dangers lurking online is intense, dangerous, and critical… now more than ever. “In Undercover Underage we embed with Roo and her team to offer a harrowing, first-hand look at how they operate. “The online world can be a perilous space for children and we are so grateful for the work SOSA does to ensure that kids can feel, and be, safer on the internet, ” added Jason Sarlanis, President of Crime and Investigative Content. ![]() My hope is through broadening awareness with this show, we can prevent sex abuse and exploitation of children online, as well as empower parents and caregivers to be a compassionate support system for kids in their communities.” “And complicating matters is the fact that this kind of abuse isn’t as well known, leaving a lot of kids and teens feeling confused, ashamed, and isolated. A minor can be alone in their room and someone can be abusing them via their phone 2,000 miles away,” said Powell. “Online sexual abuse and exploitation can happen quickly and quietly. With suspected predators ranging from school employees to high-profile community figures, it’s a race against the clock to get these individuals on law enforcement’s radar to keep them from continuing their crimes. Once the team at SOSA has enough information for a positive identification, they turn over their findings to law enforcement. Once adults engage with Powell’s underage decoys - which sometimes takes only minutes - the team communicates with them via texts, calls, and even distressing video chats to gather pieces of information about their real identities. The series also features strategic social media lead, Shelby Chikazawa photographer and visuals lead, Matt Monath writer and story developer, Avalon Esposito research lead Kelly Becker and law enforcement officer, Sergeant Mark Suda, who create and operate three separate personas of fictitious, underage girls, each living unrelated lives in different cities across the country. 'Expedition: Unknown' Host Josh Gates Says He Dove In Titanic Sub, But Decided Against Going Down Again To Film Because Craft "Did Not Perform Well", Missing Sub
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